Zhang Ziyi in Memoirs of a Geisha (2005)

(Source: cinyma, via flickeringmuse)

The Shawshank Redemption (1994)Frank Darabont

(Source: filmotheques, via cinematicfantastic)

Fargo (USA - UK, 1995)

(Source: in-love-with-movies, via cinematicfantastic)


them: oh are u excited for that new marvel movie?


(via gaaaaaaaaaambit)

Movie Genre:  A N I M A T I O N

Film Animation encompasses a multitude of styles, themes, and techniques. From the simplest drawing by hand, to images created using the most up-to-date digital technology, the genre has always aimed to appeal to the widest possible age range.

What to watch: 

  1. Steamboat Willie (Ub Iwerks, 1928)
  2. Snow White and the Seven Dwarfs. (David Hand and William Cottrell, 1937)
  3. Pinocchio (Ben Sharpsteen and Hamilton Luske, 1940)
  4. Yellow Submarine (George Dunning, 1968)
  5. Akira (Katsuhiro Otomo, 1988)
  6. The Lion King (Roger Allers and Rob Minkoff, 1994)
  7. Toy Story (John Lasseter, 1995)
  8. Spirited Away (Hayao Miyazaki, 2001)
  9. Shrek (Andrew Adamson and Vicky Jensen, 2001)
  10. Bellevile Rendez-vous (Sylvain Chomet, 2003)
  11. Wallace and Gromit: The Curse of the Were-Rabbit (Steve Box and Nick Park, 2005)
  12. The Incredibles (Brad Bird, 2004)
  13. Wall-E (Andrew Stanton, 2008)
  14. Up (Pete Docter and Bob Peterson, 2009)
  15. How To Train Your Dragon (Chris Sanders and Dean DeBlois, 2010)
 source: The Film Book, A Complete Guide To The World Of Cinema.

Official Unbroken Stills

(Source: jocdaily, via cinematicfantastic)


"Some women are lost in the fire. Some women are built from it."

(via thefuckingimpala)

I walked out the door. There is no memory left.

(Source: suchasadaffair, via donniedarkos)

"But in the end, it’s only a passing thing, this shadow. Even darkness must pass."

(Source: lotrdaily, via rageofthenerd)


“Like The Lego Movie and Edge Of TomorrowSnowpiercer is a “self-aware blockbuster,” in that it’s partly about the way legends are crafted and spread. Even in a futuristic hellscape, people need the distraction of spectacle; and Bong and Masterson are in no way unaware of the irony of making a movie that will inevitably serve for some as just a momentary respite from real-world wealth disparity. That commentary on Snowpiercer’s inadequacy is built right into the script. Just as Curtis eventually realizes that the train only extends so far, so Bong and Masterson seem to realize that there are limits to what a cleverly reflexive social commentary can do for a moviegoer.”

Snowpiercer and Dawn Of The Planet Of The Apes are thelatest in a string of 2014 films that prove smart ideas need great filmmaking to carry them across. Noel Murray explains why 2014 is shaping up to be the year of big ideas with images to match. [Read more…]